Friday, March 13, 2015

'Arm Candy'- Botanical Jewelry at The Philadelphia Flower Show


Jewelry class, 'Arm Candy'. Philadelphia Flower Show 2015. Mimi Favre.
Creating authentic looking jewelry from dried plant material requires a unique skill set. Aside from the practical knowledge of jewelry design, horticulture and various crafting supplies, the real challenge for me is interpreting the class title and the ensuing design process. This piece is my Philadelphia Flower Show Entry for 2015 in the artistic Jewelery class "Arm Candy"- a bracelet.
  I like to start with a concept sketch first. Arm Candy suggests a big, bold and colorful statement cuff.
Botanical bracelet design. Mimi Favre.
Next begins the process of trial and error of matching botanical forms and applying color. Ideally, the botanical material's physical characteristics should not be altered too much. And, rules state that no mechanics may show. No matter how hard I try to keep to the design, the finished piece morphs a bit as it evolves into a three dimensional piece, which is OK. And, it ALWAYS takes way longer to make than I think it will take. Glue and paint need time to dry. 
Magnolia grandiflora. Mimi Favre
 

Early making stage- putting it together. Mimi Favre
I wrapped a large Magnolia leaf around a soup can with multiple rubber bands and left it to dry for a month or so. After experimenting with different paints and nail polish, I created a warm silver metallic. I abandoned the two spherical elements (sycamore) in favor of more 'pearls' and other subtle shapes (beech twig
and bud). The dragonfly is in process.
Botanical Jewelry. Magonolia, leucodendrum, beech, birch, holly berry, styrax, fern, maple seed, beauty berry. Mimi Favre


Botanical jewelry ingredients! Mimi Favre
 Next I created my design elements. This step takes the most time since one is constantly balancing proportion, scale and color by sampling to see what works. The deadline is approaching and I start to question the intent of my design or I get too hyper-focused on a particular element. My mind drifts and I hear Tim Gunn of Project Runway, "make it work!" Funny, my amazing high school art teacher used to say this too!

Eventually, its time to start building out the piece and stop my mind from second guessing. I continually evaluate the overall design as the natural elements are added. Crafting technique and skill plus minor engineering are necessary to achieve a clean and detailed piece. The material by nature can be brittle so a light touch is an advantage. 
 

Arm Candy, Philadelphia Flower Show 2015. Blue Ribbon. Mimi Favre
Botanical Bracelet. Mimi Favre

Design parameters and a deadline call for quick edits along the way, which is good practice. Gazing at my finished bracelet I am reminded once again that entering a competition provides the framework to hone one's own creative process. I am often making one off pieces in my jewelry work, so making a botanical jewelry piece is not so different.
The Philadelphia Flower Show is open to all. Anyone can enter this class no matter the experience. First timers do win. Collecting botanical specimens is an ongoing activity-- I have an archive (boxes) of pods, leaves, seeds and flower petals. Arboretums and nature preserves are good places to find unusual specimens.
Philadelphia Horticulture Society publishes an exhibitor guide in late September every year. 2015 Guide.

 



Wednesday, February 11, 2015

Hard work and a little luck.

AGTA Spectrum 2015- Platinum Honors.© Mimi Favre

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I have won an award! Having entered the AGTA Spectrum Award Competition seven times, my entry for 2015 was awarded Platinum Honors in the Classical category, a distinction from the Platinum Guild of America. I admit…. it feels good! 

The AGTA Spectrum Awards competition was created to promote colored gemstones in fine jewelry. Designers and manufacturers of all levels enter. Many have more resources including access to the newest technology like laser welding and CAD or amazing (expensive) gemstones. It's not hard to feel a bit defeated before starting. Last year I skipped this competition, and I nearly talked myself out of it this time, too. And, like any competition, the process of choosing winners is by nature subjective. 

Nonetheless, I enter for several reasons. Obviously, winners do garner publicity, and recognition is always welcome, but competitions have parameters and deadlines that create a framework, and freedom for the artist to create something of their choice, without the constraints that usually exist when the piece must meet the needs of a customer. So, for me, it’s about the spirit of competition and the personal fulfillment of completing a challenge.


Like many artists, I work alone. I design and make the prototypes in my jewelry. Aside from using some skilled services such as casting, I also do all of the construction and finishing on my work. I bought this group of tourmaline one year ago. I am drawn to green stones and especially the shades found in tourmaline that are found in many colors. I thought the green would show best against white metal. Platinum is the whitest of precious metals and great to work in.

Once I had settled on a long dangle with the two thin marquis stones, I re-arranged the stones over and over.  
 
©Mimi Favre
©Mimi Favre



©Mimi Favre

©Mimi Favre
The olive green stones are pretty, but I decided not to use them. The faceted prasolite did not belong.

Next I fabricated silver setting prototypes. 10mm, 9mm, 8mm  and a marquis setting. These were cast in platinum.
M. Favre
AGTA Spectrum 2015- Platinum Honors. ©Mimi Favre